![]() ![]() O projecto Teatro Anatómico incorporou, durante um mês, uma exposição de pintura, fotografia, vídeo-arte, instalação e performances, sessões interactivas de experimentação sonora e debates entre especialistas de várias áreas de conhecimento como a medicina, a filosofia, as artes, a história da arte, a antropologia, a biologia, a teologia e a literatura. Conceito, Coordenação e Curadoria de Carla Alexandra Gonçalves. Paper is open access here Įste artigo, ou foto-reportagem, rememora o Projecto Cultural titulado "Teatro Anatómico", que decorreu em Coimbra, integrado na XVII Semana Cultural da Universidade de Coimbra (2015). Finally, the performative spaces of the selfie in process(from initial performance, to object and as it is shared and moves between private and public spaces) is examined as relationships of proxemic perception(Hall, 1966).For the selfie generation the private spaces in social relationships has perhaps evolved not simply because of changes in photographic technology, but also new spaces of socialising where private and public contexts are often blurred and unfixed. Then as performative photographic object the selfie is examined as interactive (Kress and Van Leeuwen's, 2006 2009) visual communication. I ask How might selfies suggest a transformation of everyday social relationships? The selfie as active photographic performance is first examined through illustrative ethnographic observation. This interdisciplinary study focuses on photography as performance of looking involving social relationships between people. ![]() ![]() ![]() If Selfies indeed define a generation of people, then they require close consideration as an evolution of social interaction. The selfie generation is a term commonly used to describe people born after 1981 because of the supposed proliferation of selfies they take daily. ![]()
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